Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”
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《夜行客》名称:夜行客 | 别名:《夜行客完整版》《夜行客全集》《夜行客免费观看全集高清》《夜行客免费观看》 | 状态:HD 在线高清版
《夜行客》演员:吉恩·哈克曼,珍妮弗·沃伦,爱德华·宾斯,哈里斯·于林,肯尼思·马尔斯,Janet Ward,詹姆斯·伍兹,安东尼·科斯特洛,约翰·克劳福德,梅兰尼·格里菲斯
《夜行客》导演:阿瑟·佩恩 | 上映时间:1975 | 国家/地区:美国
《夜行客》由金牌影院,星辰影院,策驰影院,高清完整版,全集资源,未删减版电影,迅雷下载,星空影院赞助出品
《夜行客》类型:动作片 | 语言/字幕:英语
《夜行客》更新时间:2025-05-27 16:30
《夜行客》剧情简介:由阿瑟·佩恩 执导的《夜行客》,由演员吉恩·哈克曼,珍妮弗·沃伦,爱德华·宾斯,哈里斯·于林,肯尼思·马尔斯,Janet Ward,詹姆斯·伍兹,安东尼·科斯特洛,约翰·克劳福德,梅兰尼·格里菲斯等主演 倾情出演火爆上映,自2025年上映至今获得了较好的口碑,是一部非常不错的(英语)动作片。
《夜行客》全集完整版介绍讲述了:
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”
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