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    与“Jozef”相关的共个搜索结果
    • 更新HD
      满月危机

      9.0 荷兰语 · 2025 · 荷兰 · 恐怖片 

      Joep Paddenburg,拜伦·吉布森,马菲积斯·范德桑德·巴库曾,Yannick Jozefzoon,凯·葛利丹努

      四个30多岁的老同学为了纪念旧日缘分,于是他们便前往泰国举行了最后一场好友派对。在经历了一个充满性、毒品和摇滚乐的夜晚后,一名年轻的泰国女子的尸体被冲到岸边。由于这四人是最后几个和她在一起的人,于是乎,他们也就顺理成章的成为了这起案件的主要嫌疑人。但随着时间推移,一场噩梦悄然袭来,身处异国他乡的四位好友,又应该何去何从?

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      美丽至极3

      7.0 其它 · 2022 · 其它 · 剧情片 

      Ludovica,Francesconi,詹卡洛·科马尔,Jenny,De,Nucci,Jozef,Gjura

      手术后玛尔塔生命垂危,而真爱近在咫尺。然而,心灵能否战胜隐藏许久的秘密以及变幻莫测的命运?

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      春来家事

      6.0 斯洛伐克语 · 2024 · 捷克 · 剧情片 

      祖扎娜·菲亚洛娃,Jozef,Abafi,Natalia,Fasankova,Jana,Markovicová,Damián,Humaj

      一个五口之家共同生活在一座乡村老房子里。父母慢慢变老,孩子们则逐渐长大,很快就会各奔前程。而母亲意外怀孕的消息打破了他们原本一成不变的日常生活,家里即将添一个新成员的想法也逐渐影响着家中的每一个成员。影片中故事的灵感来自于导演的真实经历,在他15岁时,他的母亲意外怀孕了,他将当时的感受和家庭成员种种微妙的变化放在影片中展现,以细腻与含蓄的拍摄手法完成这部电影,演员们的表演为影片增色不少。

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      凹凸双雄

      9.0 其它 · 2025 · 其它 · 喜剧片 

      Jandino Asporaat,Werner Kolf,Florence Vos Weeda,Ferdi Stofmeel,Ergun Simsek,朱丽叶特·范·阿登尼,Stephanie van Eer,Rian Gerritsen,Romana Vrede,Teun Kuilboer,维多利亚·科布林科,Daniël Kolf,Yannick Jozefzoon,Mark Rietman,

        一名过于热切的社区警员和一个鲁莽的前警探被迫联手,随之在鹿特丹的街头引发诸多混乱。

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    • 正片
      凹凸双雄

      6.0 荷兰语 · 2025 · 荷兰 · 动作片 

      Jandino,Asporaat,Werner,Kolf,Florence,Vos,Weeda,Ferdi,Stofmeel,Ergun,Simsek,朱丽叶特·范·阿登尼,Stephanie,van,Eer,Rian,Gerritsen,Romana,Vrede,Teun,Kuilboer,维多利亚·科布林科,Daniël,Kolf,Yannick,Jozefzoon,Mark,Rietman,

      一名过于热切的社区警员和一个鲁莽的前警探被迫联手,随之在鹿特丹的街头引发诸多混乱。

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    • 更新HD中字
      玩偶1968

      6.0 其它 · 1968 · 其它 · 剧情片 

      马里乌什·德莫霍夫斯基,贝娅塔·蒂希基维茨,菲耶夫斯基·塔德乌什,Jadwiga,Gall,维斯拉夫·格拉斯,卡里娜·谢鲁斯克,Jan,Koecher,扬·克雷奇马尔,塔德乌什·孔德拉特,Halina,Kwiatkowska,安杰伊·瓦皮茨基,扬·马休斯基,Józef,Pieracki,Janina,Romanówna,Anna,Seniuk,Irena,Szramowska,Wladyslaw,

      The Doll is an adaptation of the novel, The Doll (novel) by Boles?aw Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Boles?aw Prus a potential candidate for the Nobel Prize in literature. The influence of émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black).  The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful.  This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz.  Plot  As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz ??cki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his help (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)

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      德拉克的回归

      7.0 其它 · 1968 · 其它 · 剧情片 

      拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela,Buckova,Jozef,Cierny,Pavel,Chrobak,米库拉斯·洛迪津斯凯,Ivan,Macho,Ján,Mildner,Andrej,Mojzis,Jan,Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan,Mach

      与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。  A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).

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      玫瑰色的梦

      8.0 其它 · 1977 · 其它 · 喜剧片 

      尤拉伊·恩沃塔,伊娃·比托瓦,约瑟夫·赫利诺马兹,玛丽·莫特洛娃,瓦茨拉夫·巴布卡,Jozef,Belan,Míla,Beran,Vera,Bílá,Ján,Gina,Libuse,Havelková,Nada,Hejna,Milan,Kis,Ludovít,Króner,马里安·洛布道,Stefan,Mandzár,哈娜·斯利夫科娃,Anton,Trón

      An amiable picture about entering adulthood, great dreams, and the first - forbidden - love of a white postman, Jakub, and a pretty Gypsy girl, Jolanka. This is a poetic story, a mosaic of the playful world springing from the wild imagination of the village postman and its clash with the pragmatic mundane reality that finally beats the rosy dream's of the young protagonists. Director Dusan Hanak and screenwriter Dusan Dusek's most popular film has been cherished by critics as well as wide audiences at home arid abroad.

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      管风琴

      8.0 斯洛伐克语,波兰语 · 1965 · 捷克斯洛伐克 · 剧情片 

      Frantisek Bubik,亚历山大·布雷齐纳,Kamil Marek,Irma Bárdyová,Jozef Hodorovsky,哈娜·马修乌佐娃,Tomás Tobák,路易丝·格罗索娃,Albert Augustíny

      A Polish soldier uses the robes of a dead monk to avoid being captured by the Nazis in this World War II drama. He is accepted into the monastery and proves himself adept at playing the organ. The local mayor becomes jealous when the solder/monk replaces him as church organist, and he turns the soldier over to the Nazis. The mayor's actions end up bringing about the death of hi...

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