10.0 英语 · 1999 · 法国 · 剧情片
福里斯特·惠特克,约翰·托尔梅,克里夫·戈曼,Dennis,Liu,Frank,Minucci,理查德·波特诺,翠西亚·维西,亨利·席尔瓦,Gene,Ruffini,弗兰克·阿多尼斯,维克多·阿尔果,达蒙·惠泰克,Kenny,Guay,Vince,Viverito,Gano,Grills,杰米·埃克托,查克·杰弗里斯,Vinny,Vella,伊萨赫·德·班克尔,Camille,Winbush,加利
居住在新泽西的黑帮杀手“鬼狗”（Forest Whitaker弗雷斯特?惠特克 饰）身为非裔，却浸淫在日本武士道的精神世界里，“忠义”为其平生最高信条。他深居简出，不苟言笑，日常与老大靠飞鸽传书联系。鬼狗视老大路易（John Tormey 饰）如亲生父亲，接到命令后决不手软，手起刀落，血浆四溅。 孤独的他也有可以交心的朋友，闲暇时与公园买冰淇淋说法语的非裔聊聊天，各说各话，却也有趣；或与爱看书的小女孩交流品读《罗生门》的心得。 鬼狗活在自己的世界里，但周遭已发生巨大变化。终于有一天，他被路易抛弃，成为帮派倾轧的牺牲品……
9.0 英语 · 2007 · 其它 · 剧情片
范文芳,菲利浦·布化尼克迈耶,郑佩佩,李美琪
上世纪20年代，新加坡富家女美玲（范文芳 饰）邂逅了一位受伤的美国人理查德（菲利浦?布化尼克迈耶 Philippe Brenninkmeyer 饰）。在她的细心照料下，理查德的身体逐渐恢复，两人双双堕入爱河。阿妈（郑佩佩 饰）劝小姐不要动情，因为她出身名门，况且有婚事在身。但美玲还是决定跟爱人私奔。不想，理查德却不辞而别，只留下一份信，此时美玲发现自己怀孕了…… 多年后，美国绅士吉登陪同母亲逛珠宝店时，遇到了一位亚裔女子和旋（李美琪 Maggie Q 饰），她佩戴着其父生前的钻戒。母亲见此怒不可遏，称其为贼，并报警。在警局里，绅士觉得女子事出蹊跷，因此将此事化解，两人开始了进一步的交往…… 本片根据著名作家Barbara Woods的畅销书《完美的旋律》改编，由新加坡及德国联合投资，制作费高达三千多万港元，被誉为“亚洲版查泰莱夫人的情人”。
10.0 其它 · 2012 · 其它 · 剧情片
西蒙妮·汉塞尔曼,勒内·大卫·伊弗拉,娜达莎·布锐妮克,鲁弗斯·贝克
Firenze's leading, very wealthy jewelers family heir Francesco Sabrini received a cryptic death treat on the back of a renaissance painting in their private attic collection. A masterly forgery was offered in Fabio Milus's Roman auction house, but German-born art expert Susanna Noll kept it back for investigation in he artist's home city, Florence, to consult her art history mentor, professor Andreas von Weissenfels. There she stays with friend Elisabeth Lanzi, who introduces here to Francesco and his family. During their research, which unearths modern crime with a link to a Renaissance-rumored fratricide, initially secretive Francesco and Susanna become lovers
6.0 其它 · 2018 · 其它 · 恐怖片
Esteban,Prol,Horacio,Fontova,Sergio,Podelei,Gastón,Cocchiarale,Fini,Bocchino,Verónica,Intile,Goyo,Escardó,Demián,Salomón,Rodrigo,Ferreyra
Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.